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Unraveling forms define the collision of a dragonfly and walking stick insect. In luminous stained glass fragments and lunar unrest, a doctrine of inevitable degeneration and social decline is quantified. As in Chinese hanging scrolls and Japanese woodblock prints, extreme spatial divisions and multiple dramatic angles are utilized to invoke nature in a perpetual state of transformation.

14″ x 11″
Archival, German etching paper with Windsor & Newton inks
Singing Date:
Mar. 17, 2005